Walker Evans: Havana 1933 (with Two Prints: 'Man in a White Suit' + Havana Policeman)
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Bid # Opening Bid Name Time (MT)
0 $2,595
       
       
Estimated Value: $ 3,000  –  $3,500
 
Auction Ended
Jan 16, 2014 2:10 pm MT
Walker Evans. Havana 1933. Photographs by Walker Evans. Essay by Gilles Mora. Sequence by John T. Hill. Pantheon, New York, 1989. 112 pp. First American edition. Quarto. Clothbound* in printed dust jacket. Evans estate blind stamp on title page Tto show the stamp, scan has been altered to heighten contrast.) Over 80 reproductions.
NOTE: One of just 200 copies that were bound in cloth.

Accompanied by 2 silver gelatin prints:
'Man in a White Suit' (Havanna Citizen), 1933; paper size: 11 x 14 in. (28 x 35.5 cm.); image size: 3 7/8 x 7 1/8 in./9.8 x 18 cm.; hand-written notation on verso, 'printed from Walker Evans original negative/by Amos Chan c. 1988/JT Hill, executor of Evans estate'

'Havana Policeman,' 1933; paper size: 8 x 10 in./20.3 x 25.4; hand-written notation on verso, 'printed from Walker Evans original negative/by Amos Chan c. 1978/JT Hill, executor of Evans estate'
Reference: both images appear in, Evans' seminal

Evans' traveled to Cuba just a few years before he was hired by Roy Stryker for the Farm Security Administration. He was on assignment to produce pictures for Carleton Beals' leftist polemic, The Crime of Cuba ("Streetcar, El Cerro District" appears there). Trying to get at the incredibly complex ways that Evans' Cuba pictures mingle art and social fact, the poet Andrei Codrescu has written, "He tried to photograph misery, but shapeliness got in the way". In his essay for the 2001 Getty Museum publication, Cuba, which, like Havana 1933, also features this work, he cogently argues for the centrality of this work to Evan's development. It shows him moving on from a preoccupation with the formal beauty of buildings and things and discovering not just how to photograph people, but to do so in a way that is charged with narrative possibility. Curator Judith Keller observed that Evans' Cuba pictures seem influenced by Diego Rivera's politicized content, Hemingway's "stripped down, minimal style" (Evans spent time with Hemingway during his stay on the island) and the "characteristic emptiness" of Eugene Atget."

Slight corner imperfection to rear corner of book; otherwise Fine/Fine;
'Officer' print with slight wear to one corner; 'Man in White Suit' print with wear to lower corner, slight nick to lower edge.
 	Walker Evans: Havana 1933 (with Two Prints: 'Man in a White Suit' + Havana Policeman)
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