Photographs by Jenny Lynn. Introduction by Richard Burgin. Essay by Virginia Heckert.
48 pp., 67 color and black-and-white illustrations, 9x12".
I think of my work as visual poems - - realms in which I explore the interplay between dream and reality, chance and design, word and image, and collective and personal consciousness. Drawing upon my backgrounds in painting, photography and film, I like to use everything in my art. I take an intuitive, tactile, hands-on approach to my work, mixing careful planning with the accidents that happen during the creative process. It's an active collaboration between myself and the work - the finished image - my end point, then becomes the starting point for the viewer.
Jenny Lynn is a photo-based artist and designer who has been widely
exhibited and published. Her work ranges from conceptual photographs and
hand-assembled collages to dimensional and functional pieces. Ms. Lynn's
unique and varied photographic works, notably ABSOLUT LYNN (commissioned
for the “Absolut Artists” series), are best described as a ‘media mix’,
and have been featured in Photo District News, The New Yorker, and ZOOM
magazines. Jenny Lynn has taught and lectured at colleges, universities,
and other organizations throughout the country, and her work is
represented in many private and public collections, including the
Philadelphia Museum of Art, the Center for Creative Photography, and the
Norton Museum of Art. Also known for her signature art objects such as
Box of Blue, Photototems, and Eyewatch wristwatch, Jenny Lynn’s most
recent projects include a large-scale Public Art commission for New
Jersey Transit, a 10-foot by 30-foot photo-grid titled Dreams in Transit.
Limited Edition Info
The special edition of this book is an edition of 50. It is bound in a black cloth slipcase with a 5 1/2 in. X 5 1/2 in. print titled 'Knife-Hand 1976/2004'. The print and book are signed and the print is numbered. View print