Photographs by Bill Armstrong. Introduction by Katherine Ware.
Philadelphia Museum of Art,
44 pp., Numerous color illustrations., 9x9".
Signed copies available to order!
“The Mandalas are meant to be meditative pieces—glimpses into a space of pure color, beyond our focus, beyond our ken. Their essential purpose is to create a sense of transcendence, of radiance, of pure joy,” Bill Armstrong writes about this series. “Through abstraction, simplification and blur, I hope to create a context for the exploration of broad spiritual themes that, rather than relying on a codified system, remains open and invites the viewer’s personal interpretation.”
Like other portfolios in his series Infinity, Armstrong’s mandalas are made from collages he creates and then photographs with the camera’s focusing ring set on infinity. He then creates chromogenic prints from the resultant negatives. By taking an out-of-focus photograph, the artist concentrates not on detailed form and subject but on the rich, saturated colors that shift and pulsate in relation to one another, inviting an inquiry into the interconnectedness of all things.
Published on the occasion of the exhibition Photo Mandalas: Bill Armstrong and Milan Fano Blatny. Curated by Kathrine Ware. Julien Levy Gallery, Philadelphia Museum of Art, September 6, 2008 - January, 2009.