Public Photographic Spaces.
Propaganda Exhibitions from Pressa to The Family of Man, 1928-55.

TEXTS BY Roland Barthes, Herbert Bayer, Benjamin H.D.Buchloh, El Lissitzky, Jordana Mendelson, Beaumont Newhall, et al.
Museu d'Art Contemporani, 2009. 504 pp., 32 color and 104 black & white illustrations, 6¾x10".

Publisher's Description
Photography, and the political ideology of designing exhibitions This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.

TEXTS BY Roland Barthes, Herbert Bayer, Benjamin H.D.Buchloh, El Lissitzky, Jordana Mendelson, Beaumont Newhall, Christopher Phillips, Ulrich Pohlmann, Jorge Ribalta, Vanessa Rocco, Rosalinde Sartoti, Edward Steichen


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