Edited by Rosa Olivares with numerous contributing photographers and writers.
Olivares y Asociados,
200 pp., Color and black & white illustrations., 8¼x10¼".
Throughout the 20th century the manner in which photography has represented machines and our understanding of our relations with them has steadily evolved. Exit dedicates this issue to exploring this theme through essays, an extensive interview between Louise Neri and Hiroshi Sugimoto on the photographer's ‘Conceptual Forms' series, and portfolios dedicated to the work of Peter Fraser and Stéphane Couturier. In addition the works of more than 30 photographers are also examined in this specific context.
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