The photographs from the Natura Morta series draw their concepts from the rich tradition of European still life painting. Just as the 17th century painters used the "vanitas " still lifes as metaphors for the transitory nature of human life, these photographs also provide cautionary tales. Historically, a perfect display of the earth's bounty was celebrated through paint. These photographic still lifes echo those compositions, but may feature fruit that is half-eaten and abandoned to mold or roses dusted with soot. Quirky elements and unsettling juxtapositions of the natural with the artificial, reflect the ironic tensions that exist between urban culture and the natural environment. Natura Morta means still life in Italian, but significantly the literal translation is dead nature.