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Portraits of Silence
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Reviewed by Douglas Stockdale, published on Thursday, December 17, 2009
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Hisashi Shimizu Portraits of Silence
Photographs by Hisashi Shimizu.
Kodansha, , 2009. Softbound with obi. 114 pp., Color illustration throughout, 8-1/4x7-1/4".
Portraits of Silence Photographs by Hisashi Shimizu. Published by Kodansha, 2009.
On the surface, the subjects of Hisashi Shimizu's book Portraits of Silence are soldiers who perished during the Iraq conflict, indirect portraits developed from the perspective of the soldier's parents. But Portraits of Silence is also about the desire to maintain the memory of a beloved, and the fight to keep a tangible presence of who they were while dealing with the grief of their loss.

After speaking to the soldier's parents, Shimizu photographed the places and things described in the interviews -- places and things have become symbolic of the "missing" person and are maintained by the parents to preserve their memories. First providing color plates with only a caption to identify the soldier's name, the last section of the book, 'Profile,' explains the importance of each photograph as it relates to the solider. I find that the captions in the 'Profile,' using the descriptive language of the parents, create a larger emotional context than the photographs alone. The text in the 'Profile' is provided in both Japanese and English.

Portraits of Silence, by Hisashi Shimizu. Published by Kodansha, 2009.

Portraits of Silence, by Hisashi Shimizu. Published by Kodansha, 2009.


This book is imbued with a sense of sadness. Perhaps it is because we know in advance that the outcome was not a good one, and the loss of a child is extremely tragic for a parent. That said, I think the photographs appear to be compassionate, intimate, and sensitive, treating what is shared - the things, places, thoughts and feelings - with reverence and respect.

Portraits of Silence, by Hisashi Shimizu. Published by Kodansha, 2009.

Portraits of Silence, by Hisashi Shimizu. Published by Kodansha, 2009.


An emotional rawness can still be detected on the features of many of the parents' faces. That some chose not to face the camera and how some look beyond it is perhaps an indication of their current state of acceptance, how they continue to deal with their loss. Of the others that confront the photographers lens, I sense anger, sadness, despair and sometimes what appears as an emotional deadness. Perhaps the presence of the photographer, his questions and dialog, re-opened the soul's wounds. —Douglas Stockdale

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Douglas Stockdale is a photographer, author and writer when not working his day job. His photographic projects and stories explore questions from our dreams, experiences and memories. His first self-published book is In Passing and he recently completed his latest photo-project Insomnia: Hotel Noir. He is a photobook critic with his own photo-blog, The PhotoBook, available at www.thephotobook.wordpress.com. Douglas’s web site is www.douglasstockdale.com and can be contacted at doug@douglasstockdale.com.
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Poignant - very moving. These photographs remind me of the grace of the tangible - a guitar, shirts hanging in closets, a clump of keys, a bicycle, a teddy bear, a ceiling fan, the power of a photograph within a photograph - a baby in its delighted helplessness. How there is a fleeting beauty to all our possessions - we possess them, and they join with us briefly in the mystery of life. A fitting memorial and remembrance.
Posted By Betzi R. | January 26, 2010 at 2:13 AM
now displaying: the most recent comment
Poignant - very moving. These photographs remind me of the grace of the tangible - a guitar, shirts hanging in closets, a clump of keys, a bicycle, a teddy bear, a ceiling fan, the power of a photograph within a photograph - a baby in its delighted helplessness. How there is a fleeting beauty to all our possessions - we possess them, and they join with us briefly in the mystery of life. A fitting memorial and remembrance.
Posted By Betzi R. | January 26, 2010 at 2:13 AM
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