Art Photo Index Bookstore Gallery Auctions Magazine Editions Hosting
  View OrderWish ListYour Account
FEATURES
ARTICLES
REVIEWS
BLOG
ARCHIVES
BEST OF 2012
subscribef.a.q.mastheadinquiriesfeedbackadvertisenewsletter
back
Nothing But Home
view comments [5]
Reviewed by Shane Lavalette, published on Friday, March 12, 2010
Font Size: T T T | print | email
Sébastien Girard Nothing But Home
Photographs by Sébastien Girard
Sébastien Girard, , 2009. Hardbound. 48 pp., Illustrated throughout, 11x9".
Nothing But Home Photographs by Sébastien Girard Published by Sébastien Girard, 2009.
After a positive response from Jeff Ladd on 5B4 and having been selected as one of Markus Schaden's top ten photography books of 2009, it seems that Sébastien Girard's Nothing But Home has begun to receive the attention it deserves. Self-published in an edition of 500 copies (with a special edition of 100) and beautifully printed in Girard's hometown of Toulouse, France, the book itself takes on the personal charm of the photographs within.

It opens to a quote from French poet Francis Ponge: “The simplest way is to take up everything again from the beginning, lie down on the grass, and start over, as if one knew nothing.” Nothing But Home reads the title page. The photographs that follow explore the renovation of Girard’s own home, his first home, with an intensity that immediately draws us closer.

Nothing But Home, by Sébastien Girard. Published by Sébastien Girard, 2009.


Photographs of stained ceilings, dirty surfaces, broken light bulbs, peeling paint, slabs of wood, sawdust, wet concrete, old books, dark holes and the occasional presence of protruding nature at first seem revolting in the cruel light of the camera’s flash. The images are claustrophobic, chaotic and clinical, yet they maintain an attention to details and imperfections that eventually shows them as laborious, loving – the way in which the act of repair is.

Nothing But Home, by Sébastien Girard. Published by Sébastien Girard, 2009.



There is a photograph from the beginning of this tome, which hovered in the back of my mind as I turned the rest of the pages of the book. It is a photograph of another photograph that rests quietly on the wall above a rusty stove. Within the white border of the image is a scene that is in direct contrast to its surroundings, describing what appears to be a clean, warm study with leather-bound books, cigars and a bottle of liquor in the foreground and a burning fireplace in the distance. The reality of Girard's photographs quickly reveal what lies beneath this brief encounter with fantasy: the bare bones of a home.

Girard described his book to me as a metaphor for beginnings and for creation. And when asked what ‘home’ means, he responded simply, “The place where I start all of my journeys.”

As the first in a series of books that he plans to publish throughout 2010, I can only wonder where Sébastien Girard will take us next. —Shane Lavalette

purchase book
Shane Lavalette (b. 1987, Burlington, VT) is a photographer currently living and working in Somerville, MA. In 2009, he received his BFA from Tufts University in partnership with The School of the Museum of Fine Arts, Boston. His photographs have been published and exhibited internationally. In addition, Lavalette is the founding editor of Lay Flat, a publication of contemporary photography and writing on the medium. www.shanelavalette.com / www.layflat.org
comments
No one has commented on this review yet, be the first to add a comment.
ADD A COMMENT


NOTE: Comments will not appear until they have been approved by our editors. Read more about our policy regarding comments.

One of our chief goals with photo-eye Magazine is to create a space where intelligent dialog about photography books can flourish. As such, we are excited about engaging directly with our readers and the larger online photo-community through interactive content such as these article comments. However, to best acheive an interesting, ongoing discourse, all comments will be published only after they have been vetted by the editors.

We will not edit anything that is posted, nor reject any comment because we disagree with it, we simply reserve the right to reject comments that we feel do not make a contribution or are designed to offend. All we ask is that comments are thoughtful and substantive.

Thank you.
* indicates a required field

Your Name/Pseudonym: *
please enter a name

Your Email: *
please enter an valid email addressplease enter an email address
This is for contact / verification only, your email will not be displayed or given out under any circumstances.

Your website:
must be a vaild URL (ex. http://www.yourwebsite.com)

Your Comment: *

please enter a comment

To help prevent auto-spamming
Please enter the text and/or numbers below, in order, left to right:
enter text from the image below



← Return to the Magazine front page
← Return to reviews
ADVERTISEMENT
 
© photo-eye Magazine. This article is printed from photo-eye Magazine (http://www.photoeye.com/magazine/) and is intended for personal use. Please contact us if you would like permission to reprint this article for commercial or educational use. Text © by the author, all images © their respective owners. All rights reserved.
© photo-eye, 2013. All Rights Reserved Copyrights-Trademarks Privacy Policy Staff/Hours/Santa Fe Location 800.227.6941 info@photoeye.com