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Sunshine Pulse
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Reviewed by Nicholas Chiarella, published on Tuesday, August 31, 2010
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Aki Tanaka Sunshine Pulse
Photographs by Aki Tanaka
Tosei-Sha, , 2010. Hardbound. 64 pp., 42 color illustrations, 5-1/4x7-3/4".
Sunshine Pulse Photographs by Aki Tanaka Published by Tosei-Sha, 2010.
The goal of Sunshine Pulse, as Aki Tanaka states, is to capture feelings of "wavering between hope and anxiety." Presented in a contemporary style - color images printed full-bleed and bound in a slick hardcover - Tanaka's photographs convey a deeply traditional message. Lustery images, tightly-framed in the smallness of the book, invite slow, close consideration of moments of sunlight as it passes through and around the petals of cherry blossoms. Light source, reflection, and interference become thematic subject as much as photographic object, creating a tenuous present that balances between the glow of sunlight and blurred branches and blossoms.

Sunshine Pulse, by Aki Tanaka. Published by Tosei-Sha, 2010.

Sunshine Pulse, by Aki Tanaka. Published by Tosei-Sha, 2010.


Though out-of-focus images can often deliver more a sense of contrivance than meaning, these photographs convey complex and muted tension. A flat disk of sunlight becomes indistinguishable from myriad points of sky and flowers as light crosses paths in the confusion of the camera lens. Recognizing the significance attached to sakura, it is easy to appreciate the difficulty in taking on such a subject, photographically or in any medium. Nevertheless, Sunshine Pulse is an admirable accomplishment, avoiding cliche through its simplicity. —Nicholas Chiarella

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Nicholas Chiarella is the imaging specialist at the Palace of the Governors Photo Archives in Santa Fe, New Mexico. His poems and photographs have appeared in Santa Fe Trend, BathHouse, Slideluck Potshow Santa Fe, and other venues. He is a member of Meow Wolf artist collective, contributing technical and design skills to performance and art installations. Chiarella graduated from the St. John's College GI program in 2007. He can be reached at nicholas@nicholaschiarella.com.
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Nicholas, I was interested to read your review as I agree this is a difficult subject for a photographer to take on. There is a surprisingly fine line between "contrivance," as you note, and deep meaning. I see a lot of work in which artists will juxtapose images or blur/obscure them in a way that suggests meaning or emotion to them, but that very often doesn't come across to me as a viewer; I see vagueness instead. I'd be curious to know if you have any sense from studying the book of what approaches, what kind of vocabulary, etc., makes this a successful example of a photographer expressing mood, sensation, and other invisible stuff. I love it when photography tackles such things and I know when it works for me and when it doesn't, but I find it difficult to articulate that line and how to cross over to the other side when talking doing portfolio reviews.
Posted By Kate Ware | September 2, 2010 at 10:33 AM
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Nicholas, I was interested to read your review as I agree this is a difficult subject for a photographer to take on. There is a surprisingly fine line between "contrivance," as you note, and deep meaning. I see a lot of work in which artists will juxtapose images or blur/obscure them in a way that suggests meaning or emotion to them, but that very often doesn't come across to me as a viewer; I see vagueness instead. I'd be curious to know if you have any sense from studying the book of what approaches, what kind of vocabulary, etc., makes this a successful example of a photographer expressing mood, sensation, and other invisible stuff. I love it when photography tackles such things and I know when it works for me and when it doesn't, but I find it difficult to articulate that line and how to cross over to the other side when talking doing portfolio reviews.
Posted By Kate Ware | September 2, 2010 at 10:33 AM
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