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BEST OF 2012
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THE BEST BOOKS OF 2012
SELECTED BY
Erin Azouz
John Gossage
Andrew Phelps
Svetlana Bachevanova
Todd Hido
Markus Schaden
Adam Bell
Anne Kelly
Aaron Schuman
Pierre Bessard
Erik Kessels
Rebecca Senf
Jonathan Blaustein
Shane Lavalette
Alec Soth
Tony Cederteg
Melanie McWhorter
Sputnik Photos
Tom Claxton
Colin Pantall
Miwa Susuda
Marco Delogu
Martin Parr
Anne Wilkes Tucker
Natasha Egan
Christian Patterson
WassinkLundgren
Rémi Faucheux
PDN Editors

Anne Wilkes Tucker

Curator of Photography, Museum of Fine Arts, Houston

Nathan Lyons.
JESSICA S. MCDONALD

A much needed compilation of influential articulations by teacher, curator, editor, and photo historian whose students went on to be equally influential in a wide array of fields affecting photography and photographers. Also includes very thorough and readable biography. I'm particularly glad to have his lectures on snapshot finally in print because he so predates all the people who think they recently discovered the importance of snapshot aesthetics to other photographers.
Photographs Not Taken.
WILL STEACY

The challenge of not taking and then describing the non-existent photograph and why it wasn't taken, engages readers imagination and is revealing about photographers and their working process.
Autopsie.
MANFRED HEITING

The first of many important books on books to be published by Heiting whose thoroughness includes all vital statistics as well as book editors, designers, etc, when information could be found.
Uncle Charlie.
MARC ASNIN

Great dance between Uncle Charlie's words and Asnin disturbing documents and portraits. Kudos to type design.
Unfixed.
SARA BLOKLAND

A strong use of archives to understand the use of photography to reinforce to the sitters from whence they came and hoped to become, and modern understanding of those goals and realities.
Utopia/Dystopia.
YASUFUMI NAKAMORI

A fresh look at the collage from 20th through 21st century practitioners in well designed delivery.
Between the Eyes.
DAVID LEVI STRAUSS

A range of astute essays, conscious of but avoiding some all too prevalent academic themes with generous citing of other books, keen looking at photographs.
There’s a Place in Hell for Me & My Friends.
PIETER HUGO

Printing was critical to success of this book in which Hugo portrays South African friends with faces blackened by his technical process, not just blackened, but depending on the pigment, sometimes seeming marred or modeled. The pictures are disquieting.
City Diary.
ANDERS PETERSEN

Petersen's powerful work in design and production appropriate to his rough and disquieting style and troubled subjects.
The Address Book.
SOPHIE CALLE

An important body of work finally in print after years of being described and content rumored.
Anne Wilkes Tucker received undergraduate degrees from Randolph Macon Woman's College and Rochester Institute of Technology and a graduate degree from the Visual Studies Workshop, a division of the State University of New York. After working in various museums and universities, she founded the photography department at The Museum of Fine Arts, Houston in 1976 and is currently the Gus and Lyndall Wortham Curator. That collection now has over 28,000 photographs made on all seven continents. Ms. Tucker has curated over forty exhibitions, most of which were accompanied by a publication, and has contributed essays to many additional monographs and catalogues and published many articles. She has also lectured throughout the U.S., Europe, Asia and Latin America and been awarded fellowships by the National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation, the Brown Foundation Dora Maar Fellowship, the Humanities Research Center at the University of Texas, and The Getty Center. In 2001, in an issue devoted to "America's Best," TIME magazine honored her as "America's Best Curator." She was the first recipient of the Lifetime Achievement Focus Award from the Griffin Museum of Photography in 2006 and received an Alumnae Achievement Award from Randolph Macon Woman's College. In 2011 she received an honorary doctorate from the College at Brockport State University of New York.
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