Bestsellers of the Decade
 Bestsellers of 2019

Best Books 2019
Monday, January 20, 2020
Today's Curated Selection - Forthcoming
Photographs by Pieter Hugo.
Text by Ashraf Jamal and Mario Bellatin.
RM, 2020. 136 pp., 56 illustrations, 12¼x13¾".

Copies shipping in March!

This is Cape Town–based photographer Pieter Hugo’s homage to Mexico, in portraits, landscapes and still-life vignettes with bright shades of pink, blue and green.

...
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TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

Windows.

Photographs by Xavier Guardans.

Images of Conviction.

Text by Christian Delage and Thomas Keenan. Foreword by Jennifer Mnookin. Introduction by Diane Dufour.

Image Tsunami.

Photographs by Erik Kessels.

Snow White.

Photographs by Hiroshi Sugimoto.

The Flavio Story.

Photographs by Gordon Parks. Text by Beatriz Jaguaribe, Maria De Carvalho, Natalie Spagnol and Sergio Burgi. Edited and with text by Amanda Maddox and Paul Roth. Foreword by Flávio Pinheiro, Peter Kunhardt and Timothy Potts.

Silver and Glass.

Photographs and sculpture by Cornelia Parker. Text by Antonia Shaw, David Campany and Roger Malbert.

Matrimania.

Photographs by Mahesh Shantaram. Text by Gita Aravamudan.

Singular Beauty.

Photographs by Cara Phillips.

Small Change.

Photographs by Erik Kessels.

Japanese Whispers.

Photographs by Zaza Bertrand.

Changing Dreams.

Photographs by Vicki Ragan. Text by Shepard Barbash.

Eden Turned on Its Side.

Photographs by Meridel Rubenstein. Contribution by Alan Weisman and Shawn Michelle Smith. Foreword by Arif Khan.

Flora.

Photographs by Neeta Madahar.

Proverbs.

Photographs by Gregori Maiofis.

Crackle & Drag.

Photographs by TR Ericsson. Text by Arnaud Gerspacher and Barbara L. Tannenbaum and TR Ericsson.

California's Pacific.

Photographs by Chip Hooper.

My Favourite Place.

Edited by architekturbild e.v. Numerous contributing photographers.

Photographs.

Photographs by David Schoerner.

Right Here, Right Now.

Photographs by David Fonseca.

Thomas Struth.

Photographs by Thomas Struth.

Phantom Power.

Photographs by Barbara Diener. Texts by Alison Grant and Gregory Harris.

Knives.

Photographs by Jason Koxvold.

April Dawn Alison.

Photographs by April Dawn Alison. Edited by Erin O'Toole. Essays by Hilton Als, Zackary Drucker, and Erin O'Toole.

The Sound I Saw.

Photographs by Roy DeCarava. Texts by Radiclani Clytus and Sherry Turner DeCarava. Designed by Katy Homans.

Out of the Shadows - Marcus Leatherdale.

Photographs by Marcus Leatherdale. Text by Claudia Summers and Marcus Leatherdale and Paul Bridgewater.
BESTSELLERS
1.11–1.18

Gus Powell: Brooklyn BRIEF
1  Gus Powell
Brooklyn BRIEF
2  Gus Powell
Family Car Trouble - SIGNED
3  John Gossage
Jack Wilson’s Waltz
4  Stephen Shore
Transparencies
5  Daido Moriyama
Farewell Photography
6  Daido Moriyama
Record No.43
7  Dylan Hausthor & Paul Guilmoth
Sleep Creek - LTD
8  Jacob Aue Sobol
With and Without You
9  Katrien De Blauwer
Why I Hate Cars
10  Czeslaw Siegieda
Polska Britannica
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BOOK REVIEW by Blake Andrews
: Echo Mask. Blake Andrews is a photographer based in Eugene, OR. He writes about photography at blakeandrews.blogspot.com.
Echo Mask

Blake Andrews reviews Echo Mask photographs by Jonathan Levitt, published by Charcoal Press, 2019.

"Jonathan Levitt’s new book, Echo Mask, opens with a brief flurry of charcoal skies. Such scenes will be familiar to anyone who's spent time along Levitt's native Maine coast, where weather windows can close quickly. Next comes the book’s basic framework: a grainy monochrome image across a two-page spread, followed by a small centered block of text.…

…Regardless of specific subject, Echo Mask circles back continually to its fundamental themes: life/death, natural cycles, rudimentary elements. "The best food is usually very simple," Levitt tells Juxtapoz. "…It's the same with photography. The best pictures are simple and timeless." His visual style is primordial and murky, with “some element of chaos,” as Levitt describes it. That said, the pictures feel exact. They’re clean, not messy, and teed up precisely on the page as smallish frames with wide white cushions."—Michael Light  Read more

Read Blake Andrews's entire interview on our blog

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