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Tuesday, October 4, 2022
Today's Curated Selection - Copies Arriving Soon
If I Call Stones Blue It Is Because Blue Is The Precise Word.
Photographs by Joselito Verschaeve.
VOID, 2022. 80 pp. 8¾x10½".

Joselito Vershaeve’s personal experiences interweave black-and-white photographs of both everyday encounters and staged fictions from archives of the artist’s own work, in the process creating visual short stories of optimism and dystopia which defy conventional interpretation... Buy NOW or Read more

TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

As It Was Give(n) To Me.

STACY KRANITZ.

The Other World.

Photographs by Brad Wilson. Contribution by Dan Flores.

Stadtbilder.

Photographs by Ulrich Wüst. Text by Matthias Flügge, Interview by Katia Reich with Ulrich Wüst.

The Flood.

Photographs by Francesco Merlini.

Ursula.

Photographs by Hannah Whitaker. Text by David Levine and Dawn Chan. Edited by Catherine Taylor and Nicholas Muellner.

Record No.45.

Photographs by Daido Moriyama.

The Lives of Images, Vol I.

Edited by Stanley Wolukau-Wanambwa. Primary Contributor by Kate Steciw and Paul Pfeiffer.

Wrongly Bodied.

By Clarissa Sligh.

Golden Days.

Photographs by Max Sjödin.

Nice.

Photographs by Mark Peckmezian.

A Time of Youth.

Photographs by William Gedney. Edited by Lisa McCarty.

Masterworks of Modern Photography 1900-1940.

Edited by Sarah Hermanson Meister.

Khidi – The Bridge.

Photographs by Thomas Dworzak.

Art Can Help.

Text by Robert Adams.

Dana Claxton.

Photographs by Dana Claxton. Introduction by Leila Timmins. Text by Amy Kazymerchyk.

The Command to Look.

Text by George Dunham and William Mortensen. Contributions by Larry Lytle and Michael Moynihan.

Instructional Photography.

Artist's book by Carmen Winant.

Beach Lovers.

Photographs by Erica Reade.

Closing the Distance.

Photography by Nicholas Nixon. Edited by Jordan Alves.

Bedroom Community.

Photographs and Text by Grace Tyson.

Requiem for the Innocent.

Photographs by John Willis. Text and poems by Robin Behn. Contribution by Matan Rubinstein.

Under a Blanket of Stars.

Photograph by Molly Matalon, Dino Kuznik, Jack Bool, Caroline Tompkins, Mark Sommerfeld, and more.

Polaroids 92-95 (NY).

Photographs by Ari Marcopoulos.

Hexamiles (Mont-Voisin).

Photographs by Batia Suter. Design by Batia Suter & Roger Willems.

Zone Eleven.

Photographs by Ansel Adams and Mike Mandel. Contribution by Erin O'Toole.
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A Review by Laura Larson
Zoe Leonard: Al Rio / To The River. Laura Larson is a photographer, writer, and teacher based in Columbus, OH. She has exhibited her work extensively. Hidden Mother (Saint Lucy Books, 2017), her first book, was shortlisted for the Aperture-Paris Photo First Photo Book Prize. Larson is currently at work on a new book in collaboration with writer Christine Hume, All the Women I Know.

Al Rio / To The River

Laura Larson reviews Al Rio / To the River by Zoe Leonard.

Hatje Cantz/MUDAM Luxembourg, 2021. 592 pp.

"The river is designated the Rio Grande in the U.S., meaning ‘big river’ while in Mexico, it’s known as Río Bravo, ‘wild river,’ a name evoking its temperament. This ancient, unruly waterway was taken as a border during the U.S.’s geopolitical expansion in the 19th century and remains a weaponized site of the political debates around immigration policy. Leonard’s photographs quietly trace the river’s approximate 1,900-mile length through an array of terrains."—Laura Larson  Read more

Read Laura Larson's entire review on our blog

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Slifkin, Robert
Quitting Your Day Job

Quitting Your Day Job: Chauncey Hare’s Photographic Work is the first critical biography of the American photographer… PURCHASE BOOK

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Brian Rose: Monument Avenue.
Rose, Brian
Monument Avenue

A mood of impending doom swept across the country in the spring of 2020 with the spread of Covid-19 and a sharp contraction… PURCHASE BOOK

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Wolman, Baron
Jimi Hendrix

In 1967, Rolling Stone magazine founder Jann Wenner asked Baron Wolman to be his first chief photographer,… PURCHASE BOOK

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