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Moyra Davey: Scotiabank Award.

Photographs and text by Moyra Davey. Text by Ben Lerner, Brian Sholis, √Člisabeth Lebovici, and Eric Rosenberg.
Steidl/Scotiabank Photography Award, 2019. In English. 288 pp., 356 illustrations, 9¬ĺx8".



Publisher's Description

From early portraits of her five sisters, to photos taken above bookshelves and under beds, and later series on the New York City subway, Moyra Davey has spent four decades developing a practice that comprises photography, film, and writing.

This book surveys Davey's work, bringing together her photos and film stills, and her writings on photography, memory, art, and historical figures, alongside a suite of new essays and interviews. Davey examines the texture of life: defaced currency, empty whiskey bottles, the dust under a record player's needle. She also acknowledges that photos can be mementos, and for some time has printed her images as a kind of correspondence, sending them through the mail; when unfolded, they bear the creases and stamps of transit.

Davey's films and essays are characterized by a similar intimacy, evinced by the artist's own peripatetic, literary mind. These are some of the figures that haunt her imagery: Walter Benjamin, Mary Wollstonecraft, Jean Genet, and Chantal Ackerman. As with her photographic accumulations of fragments, Davey approaches these touchstones indirectly, drawing from their letters, journals, and less celebrated works to understand how they committed to living creative lives.


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