The Long Night of Mégantic/La longue nuit de Mégantic.
Photographs by Michel Huneault.
Schilt Publishing, Amsterdam, The Netherlands, 2016. 160 pp., 60 color illustrations, 6¾x9¾".

Publisher's Description

July 7th, 2014, he starts the recorder. “One year after your death, the pain remains just as strong”, begins Louise. The previous year, Louise's daughter, Andrée-Anne, who was working at the Musi-Café, was the first person reported missing after a train transporting nearly 8 million litres of shale oil exploded in downtown Lac-Mégantic. 47 people were killed instantly, making it Canada’s deadliest train disaster in almost 150 years. The explosion levelled most of the town centre, creating a 400-metre-wide area that is still inaccessible. Huneault’s project documents the aftermath of the catastrophe and is a meditation on loss and mourning.

Michel Huneault arrived in Lac-Mégantic for the first time twenty hours after the explosion. He would continue visiting the community during the following year photographing inside and outside the damaged area, renamed the red zone. In total, he spent 70 days in the community, over 14 visits, and he will keep going there often the coming years. The impressions gathered through research and through intimate discussions with locals loomed over him while he was documenting the calm eeriness of the town, where everything had changed one fateful night at 1:15 am. Through the seasons and aftershocks, Huneault became close friends with many Méganticois, sharing the lonely ebb and flow of their emotions: pain, anger, hopes for healing and peace of mind. Their complicity soon echoed throughout the work, which became an active fragment of an evolving collective memory.

One out of every 128 citizens of Lac-Mégantic died on July 6th, 2013. As time passed, he tried to comprehend what such a constellation of traumas and mournings means. Having worked in other post-catastrophe situations, he was interested in how the community handled the emotional burden while dealing with the more pragmatic imperatives of recovery: arranging funerals when victims’ identification takes months, battles surrounding the reconstruction (and demolition) of the historical downtown, domino expropriations affecting even more lives, the control of information, the absence of answers, the fear of unknown, the contamination and its legacy, the constant and numbing murmur of it all. Huneault believes that grasping and representing this complex atmosphere is the key to understanding the full depth of the incident in order to be able to formulate relevant solutions to move forward. 


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