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Thursday, November 26, 2020
Today's Curated Selection - Copies Now in Stock
Edited by Anne Collier. Text by Lynne Tillman.
Karma, New York/Studio Voltaire, 2018. 168 pp., 80 color illustrations, 10x10x¾".

This book collects images that New York–based artist Anne Collier originally presented as a slideshow of 80 35mm slides depicting found images of female subjects in the act of taking self-portraits. ... Buy NOW or Read more

TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

The Invented Camera.

Photographs by Jo Babcock. Text by Bill Berkson, Douglas R. Nickel, and Jo Babcock. Edited by Kitty Costello.

The Photograph as Contemporary Art.

Text by Charlotte Cotton.

August Song.

Photographs by Martin Bogren. Designed by Bureau Kayser. Curated by Caroline Benichou.

The Shadow Knows.

Photographs by Lee Friedlander.

Necessary Fictions.

Photographs by Debi Cornwall. Text by Makeda Best and Nomi Stone and Roy Scranton and Sarah Sentilles.

The Gaze of Things.

Text by Nuria Enguita.

Chernobyl. A Stalkers’ Guide.

Photographs by Darmon Richter. Edited by Damon Murray and Stephen Sorrell.

What Becomes a Legend Most.

Text by Philip Gefter.

Living Trust.

Photographs by Buck Ellison.

Voyage.

Photographs and text by Tamiko Nishimura.

The Way West.

Photographs by Peter Kayafas. Text by Rick Bass.

Prehistoric Suns.

Photographs by Steve Mulligan.

From the Notes of a Collector.

Photographs by Agnieszka Rayss. Text by Monika Sadowska. Translation by Alasdair Cullen. Design by Grupa Projektor.

Requiem for the Innocent.

Photographs by John Willis. Text and poems by Robin Behn. Contribution by Matan Rubinstein.

Dryads and Fauns.

Photographs by Cássio Vasconcellos.

Muhammad Ali.

Photographs by Gordon Parks.

Running to the Edge.

Photographs by Julia Borissova.

Day by Day.

Photographs by JH Engstrom.

Polaroids 92-95 (NY).

Photographs by Ari Marcopoulos.

Fernbank Forest.

Photographs by Peter Essick. Essay by Janisse Ray.

Basic Forms.

Photographs by Bernd and Hilla Becher. Text by Thierry De Duve.

Dinosaur Dust.

Photographs by Zoe Childerley.

Autoportrait.

Photographs by Samuel Fosso.

The Scent of Water.

Photographs by Yukio Sakaue.

At home, in Sweden, Germany and America.

Photographs by Gerry Johansson. Edited by Stefania Rössl and Massimo Sordi. Designed by Damiano Fraccaro.
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A Review by Shannon Taggart
Maria Lax: Some Kind Of Heavenly Fire. Shannon Taggart is a photographer based in Brooklyn, New York. Her work has been exhibited and featured internationally and has been recognized by Nikon, Magnum Photos and the Inge Morath Foundation, American Photography, and the Alexia Foundation for World Peace. Her first monograph, SÉANCE, was published by Fulgur Press in November 2019 and was named one of TIME’s best photobooks of the year.

Some Kind Of Heavenly Fire

Shannon Taggart reviews Maria Lax: Some Kind of Heavenly Fire. Setanta Publishing, London, UK, 2020.

"Lax’s twilight interiors, anonymous figures, and celestial nightscapes invoke the supernatural. In these scenes she confronts the countryside, as if petitioning the town to give up its secrets. Trained as a cinematographer, Lax credits her ‘inexperience’ and affinity for ‘old digital’ technology as the formula of her success."—Shannon Taggart  Read more

Read Shannon Taggart's entire review on our blog

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