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Friday, July 10, 2020
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Photographs by Yael Martínez. Design by Vera Lucía Jiménez. Translation by Cylia Lagunas.
KWY Ediciones, 2019. 70 pp. 6¾x8¾".

From This Book is True we present La casa que sangra from the Mexican photographer Yael Martínez, from the State of Guerrero, and that was a response to the murder of one of his brothers-in-law and the disappearance of two others ... Buy NOW or Read more

TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

Encyclopedia Of Flowers IV.

Artwork by Makoto Azuma. Photographs by Shunsuke Shiinoki.

Midnight La Frontera.

Photographs Ken Light. Text by José Ángel Navejas and Ken Light.

The Atmosphere of Crime, 1957.

Photographs by Gordon Parks. Text by Bryan Stevenson and Nicole Fleetwood. Editor and Text by Sarah Meister. Foreword by Glenn Lowry and Peter Kunhardt.

Compendium 1898-1919.

Photographs by Alison Rossiter.

Abendlied.

Photographs by Birthe Piontek.

Volta Photo.

Photographs by Ibrahima Sanlé Sory.

Muhammad Ali.

Photographs by Gordon Parks.

Bread in Snow.

Photographs by Mark Cohen.

My Father's Legs.

Photographs by Sara Perovic. Designed by Jason Fulford.

Photographs.

Photographs by Eudora Welty. Foreword by Natasha Trethewey and Reynolds Price.

Watertanks Mathare Nairobi.

Photographs by Filippo Romano.

Everything_2.

Photographs by Kenta Cobayashi. Designed by Tadahiro Gunji.

Interwoven.

Photographs by Kyle Meyer. Text by Andy Campbell.

Cowboy.

By Richard Prince. Text by Robert M. Rubin.

Beyond the Mirror.

Photographs by Leif Sandberg.

Photography and Its Shadow.

Text by Hagi Kenaan.

Águas De Ouro.

Photographs by Sandra Cattaneo Adorno.

Suicidal Birds.

Photographs and poem by Sebastian Rogowski. Edited and sequenced by Rafał Milach. Book design by Ania Nałęcka / Tapir Book Design.

How To Do The Flowers.

Photographs by Ruth Van Beek.

Our Voices, Our Streets.

Photographs by Kevin Bubriski. Foreword by Lucy McKeon. Afterword by Howard Zinn.

Enough.

Photographs by Laurent Chevalier. Essay by Cyrus Aaron. Poetry by Dr. Jamila Lysicott.

Lost Venice.

Photographs by Sarah Hadley. Text by Karen Haas and Susan Burnstine.

Girl Pictures.

Photographs and Text by Justine Kurland. Text by Rebecca Bengal.

LA Lockdown.

Photographs by Charles-Henry Bédué.

Contemporary Suburbium.

Photographs and text by Deanna & Ed Templeton.
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A Review by Forrest Soper
: We Love Our Employees. Forrest Soper is an artist and photographer currently based out of Rochester, New York. A graduate student at the George Eastman Museum and The University of Rochester.
We Love Our Employees

Forrest Soper interviews Alejandro Cartagena, on We Love Our Employees. Gato Negro, Mexico City, Mexico, 2019.

"At the beginning of the 20th century, one of the biggest beer companies in Mexico was worried about the newly offered constitutional rights of workers to unionize. The company was worried about strikes and other labor troubles."—Forrest Soper  Read more

Read Forrest Soper's entire review on our blog

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