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Photographs by Martin Parr. Text by Pierpaolo Ferrari.
Damiani, 2020. 192 pp., 120 illustrations, 11x14".

Printed in an edition of 300 copies, this numbered limited edition includes a foulard.

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TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

One Picture Book Two #16 : Cats.

Photographs by Mark Steinmetz.

One Picture Book Two #15 : Requiem.

Photographs by Kenro Izu.

Paul Mpagi Sepuya.

Photographs by Paul Mpagi Sepuya. Text by Ariel Goldberg and Evan Moffitt and Grace Wales Bonner and Lucy Gallun and Malik Gaines and Wassan Al-Khudhairi.

One Picture Book Two #13: Gas Stations.

Photographs by Toshio Shibata.

Toilet Martin Paper Parr — Limited Edition.

Photographs by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari. Text by Pierpaolo Ferrari.

Manuel Álvarez Bravo.

Photographs by Manuel Álvarez Bravo. Edited by Aurelia Álvarez Bravo and James Oles and Ramón Reverté.

Polaroid SX-70.

Photographs by William Eggleston.

Härryda Kommun.

Photographs by Gerry Johansson.

L’IMAGE DANS LE MIROIR.

Collages by Edouard Taufenbach.

Weegee's Naked City.

Photographs by Weegee. Text by Christopher Bonanos and Christopher George.

New York in Photobooks.

Edited by Horacio Fernández. Text by Jeffrey Ladd, et al.

Kleingärtner.

Photographs by Martin Parr.

Tonatiuh.

Photographs and text by Juan Brenner.

Silence and Image.

Text by Mariko Takeuchi.

Flowers.

Photographs by William Eggleston.

Death Magick Abundance.

Photographs by Akasha Rabut.

The Way West.

Photographs by Peter Kayafas. Text by Rick Bass.
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A Review by Brad Zellar
: Sleep Creek. Brad Zellar is a writer who has collaborated with photographer Alec Soth on a number of projects, including The LBM Dispatch, a series of seven newspapers devoted to American community in the age of cyberspace.
Sleep Creek

Brad Zellar reviews Sleep Creek, Photographs by Dylan Hausthor & Paul Guilmoth. Void, Athens, Greece, 2019

"Yet with every fresh pass, Sleep Creek confounds not just interpretation, but comprehension; it eludes coherent narrative structure at every turn, and from page to page — and photo to photo — it whipsaws vertiginously between the arctic and the inferno, terror and enchantment. And those are precisely the reasons why I find it so fascinating and consistently unsettling. Hausthor and Guilmoth have entirely their own thing going on..."—Brad Zellar  Read more

Read Brad Zellar's entire review on our blog

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Of the images in O Verde Inferno, "RIver and streams fill up and spread themselves across the forest. The… PURCHASE BOOK

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