Thursday, September 20, 2018
Today's Curated Selection - Forthcoming
Photographs by Saul Leiter. Text by Margit Erb, Motoyuki Shibata and Pauline Vermare.
RM/SEIGENSHA, 2018. 312 pp., 230 illustrations, 6x8½".

First English edition.

"The very best of Saul Leiter's work comes together as an almost novel-like stream of images, interspersed with poetic quotes by the man himself. I have never seen his work so delicately and thoughtfully presented." –Todd Hido, Photo-eye

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TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

Polaroids.

Photographs by Carlo Mollino. Text by Fulvio Ferrari and Napoleone Ferrari.

Jan Groover: Photographs.

Photographs by Jan Groover. Foreword by John Szarkowski.

Open See.

Photographs by Jim Goldberg.

A Vision Shared.

Edited by Hank O'Neal. Text by Paul Taylor and Bernarda Shahn.

Evelyn Hofer. New York.

Photographs by Evelyn Hofer. Text by John Haskell. Edited by Andreas Pauly and Sabine Schmid.

Mario Carnicelli. American Voyage.

Photographs by Mario Carnicelli.

David Levinthal: War, Myth, Desire.

Photographs by David Levinthal. Text by Dave Hickey and Joanna Marsh and Lisa Hostetler. Foreword by Bruce Barnes.

The Sweet Flypaper of Life.

Photographs by Roy DeCarava. Text by Langston Hughes. Afterword by Sherry Turner DeCarava.

William Coupon: Portraits.

Photographs by William Coupon. Text by Anthony Bannon. Foreword by Walter Isaacson.

Midwest Sentimental.

Photographs by Nathaniel Grann.

Slow Glass.

Photographs and text by Naoya Hatakeyama. Additional text by Mark Haworth-Booth and Susie Medley.

Here/Still/Now.

Photographs by Paul D'Amato. Texts by Dawoud Bey, Camara Dia Holloway and Amy M. Mooney.

Couples and Loneliness.

Photographs by Nan Goldin.

Twilight Zones.

Text by Jorge Wagensberg and Marti Peran. Photographs by Joan Fontcuberta.

Daido Moriyama: Witness No. 2.

Photographs by Daido Moriyama, Emi Anrakuji, and Ken Kitano.

A Clearing.

Photographs by Raymond Meeks.

Light Over Ancient Angkor.

Photographs by Kenro Izu.

Emmet Gowin.

Photographs by Emmet Gowin. Text by Toby Jurovics.

Silencios.

Photographs by Erika Diettes. Texts by Marko Schwartz and Giovanni Morelli.

Looking Up Ben James.

Photographs by John Gossage. Text by Martin Parr.

Hidden Islam - 479 Comments.

By Nicoló Degiorgis.

Floatation Tank.

Photographs by Giles Cassels.

Nightfall.

Photographs by Giles Cassels.

Hiroshima 1965.

Photographs by Kenji Ishiguro.

Atomic Overlook.

Photographs by Clay Lipsky.
BESTSELLERS
9.08–9.15

Todd Hido: Bright Black World - SIGNED
1  Todd Hido
Bright Black World - SIGNED
2  Dawoud Bey
Seeing Deeply - SIGNED
3  All about Saul Leiter
4  Mona Kuhn
Bushes & Succulents - SIGNED
5  Mary Frey
Real Life Dramas - SIGNED
6  Clay Lipsky
Atomic Overlook - SIGNED
7  Malgorzata Stankiewicz
Cry of an Echo
8  Maggie Taylor
Lewis Carroll's Alice's Adventures... - SIGNED
9  Roy Decarava
The Sweet Flypaper of Life
10  John Gossage
Looking Up Ben James - SIGNED
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BOOK OF THE WEEK — A Pick by Emmet Penny
Wylie, Donovan: Housing Plans For The Future. Emmet Martin Penney is a poet and essayist. His writing has previously appeared in Paste Magazine, Hollow, Madcap Review and The Bad Version. He also runs the blog Museum of the Half-Forgotten, and you can find him on Twitter.

Housing Plans For The Future

Emmet Penny selects Housing Plans for the Future by Donovan Wylie from Steidl, Gottingen, Germany as Book of the Week.

"In his collection of photos, Housing Plans for the Future, Donovan Wylie turns an unsentimental eye to the public housing initiatives embarked upon during The Troubles [in Belfast, Ireland].

Wylie’s photos have a flatness, an austerity. What the viewer first notices is that although these are neighborhoods, nobody’s around. Since the housing was created to value pedestrians over vehicles, there is a labyrinthine quality to it: cul-de-sacs, passageways, and sharp turns abound. The urban planning’s intent becomes clear: some people are meant to be kept out, others in. Silently, the housing, though defanged since the 1990s, speaks of sectarian divide."—Emmet Penny  Read more

Read Emmet Penny's entire post on our blog

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An Archeology of Fear and Desire.
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