Saturday, October 1, 2022
Today's Curated Selection - Copies Now in Stock
Photographs by Thomas Ruff. Contribution by Dieter Roelstraete.
Walther Konig, 2022. 176 pp. 12¼x14½".

In the early 2000s, Thomas Ruff chanced across a coffee-table propaganda book on Mao Zedong and became interested in the visual rhetoric of Chinese Communism, eventually purchasing copies of La Chine — the French iteration of a periodical that the Chinese Communist Party produced from the late 1950s through the 1970s ... Buy NOW or Read more

TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

Labyrinths.

Photographs by Josef Sudek.

Missing Pages.

Photographs and text by Peter Wendel.

To Nietzsche.

Photographs by Adou. Art by Liu Ke and Huang Huang.

June.

Annemarieke van Drimmelen & Jasper Krabbé.

Wuhan before Wuhan.

Photographs by Miguel Ángel Jorquera.

The Day May Break.

Photographs by Nick Brandt. Essays by Nick Brandt, Yvonne Adhiambo Uwour and Percival Everett. Edited by Nadine Barth.

Me Kaksi.

Photographs by Pentti Sammallahti.

Mary McCartney. Paris Nude.

Photographs by Mary McCartney. Text by Charlotte Jansen.

Changements.

Duane Michals.

The Place In Between.

Photographs by Narelle Autio.

Frank Horvat (Photofile).

Photographs by Frank Horvat and Text by Virginie Chardin.

INDIA: Fragments From the Constellation.

Photographs by David Samuel Robbins. Essay by Piers Moore Ede.

Okinawa s49.

Photographs by Daido Moriyama.

Annual Series No.7.

Photographs by Paul Kooiker, Mona Kuhn, Juergen Teller, and Carmen Winant.

American Surfaces.

Photographs by Stephen Shore.

A Beautiful Ghetto.

Photographs and text by Devin Allen. Foreword by Keeanga-Yamahtta Taylor.

The Hotel.

Photographs and Text by Sophie Calle.

Cue the Sun.

Photographs by Trent Parke.

Marcia Resnick.

Photographs by Marcia Resnick. Text by H. Frank III Goodyear and Lisa Hostetler. Afterword by Laurie Anderson.

One of a Kind.

Photographs by Donald Graham. Text by Colin Westerbeck & Casey Woods. Edited by David Fahey.

Message From the Interior.

Photographs by Walker Evans. Afterword by John Szarkowski.

Women at Work.

Photographs by Helga Paris.
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A Review by Laura Larson
Zoe Leonard: Al Rio / To The River. Laura Larson is a photographer, writer, and teacher based in Columbus, OH. She has exhibited her work extensively. Hidden Mother (Saint Lucy Books, 2017), her first book, was shortlisted for the Aperture-Paris Photo First Photo Book Prize. Larson is currently at work on a new book in collaboration with writer Christine Hume, All the Women I Know.

Al Rio / To The River

Laura Larson reviews Al Rio / To the River by Zoe Leonard.

Hatje Cantz/MUDAM Luxembourg, 2021. 592 pp.

"The river is designated the Rio Grande in the U.S., meaning ‘big river’ while in Mexico, it’s known as Río Bravo, ‘wild river,’ a name evoking its temperament. This ancient, unruly waterway was taken as a border during the U.S.’s geopolitical expansion in the 19th century and remains a weaponized site of the political debates around immigration policy. Leonard’s photographs quietly trace the river’s approximate 1,900-mile length through an array of terrains."—Laura Larson  Read more

Read Laura Larson's entire review on our blog

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Mccloskey, Rick
Van Nuys Blvd 1972

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Kerstgens, Michael
1986: Back To The Present

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Kenna, Michael
St. Josephs College, Upholland

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