Monday, June 14, 2021
Today's Curated Selection - Copies Now in Stock
Photographs by Stéphan Crasneanscki. Foreword by Patti Smith. Conversation with Abel Ferrara. Essay by fAntoine de Baecque.
Libraryman, 2021. 216 pp., 177 color illustrations, 7¾x10¼".

Multidisciplinary artist Stéphan Crasneanscki further examines his significant opus What We Leave Behind, on French film director Jean-Luc Godard’s archive, into book form ... Buy NOW or Read more

TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

House of Card.

Photographs by Thomas Demand. Text by Adam Caruso, Maristella Casciato, Emily Pugh, Aude-Line Dulière, Karen Van Godtsenhoven, and Valerie Verhack. Contributions by Arno Brandlhuber and Rirkrit Tiravanija. Design by Julie Peeters.

INDIA: Fragments From the Constellation.

Photographs by David Samuel Robbins. Essay by Piers Moore Ede.

Half-Light.

Photographs by Loïc Seguin.

Preparados, listos, archivo.

Photographs by Cristina De Middel. Texts by Joan Fontcuberta, Cuauhtémoc Medina and Cristina de Middel. Design by Javi al Cuadrado.

Codex New York.

Photographs and text by Stanley Greenberg. Foreword by Karrie Jacobs.

Tar Beach.

Created, edited, and curated by Susan Meiselas. Foreword by Martin Scorsese.

Hovedtøj.

Photographs by Trine Søndergaard. Designed by Rasmus Koch Studio. Text by art historian Tilde Mønsted.

Kranke Kinder.

Photographs by Linus Bill.

Stromboli 1949.

Photographs by Federico Patellani. Contributions by Kitti Bolognesi, Alberto Bougleux, Giovanna Calvenzi, and Goffredo Fofi.

Surfboard.

Photographs by Joni Sternbach.

Catherine Opie.

Photographs by Catherine Opie. Text by Charlotte Cotton and Douglas Fogle and Helen Molesworth and Hilton Als and T. A. Elizabeth Smith. Contribution by Shaun Regen.

Special Days.

Edited by Yvonne Venegas. Text by Cuauhtémoc Medina.

La Cucaracha.

Photographs by Pieter Hugo. Text by Ashraf Jamal and Mario Bellatin.

Archive, Matrix, Assembly.

Text by Nina Last.

Oculus.

Photographs by Yusuf Sevinçli.

India.

Photographs by Harry Gruyaert. Text by Jean-Claude Carriere.

Good Pictures.

Text by Kim Beil.

Helen Levitt: New York.

Photographs by Helen Levitt. Text by Shamoon Zamir.

You could at least pretend to like yellow.

Photographs by Katrien De Blauwer.

Kill the Damn Skeletons.

Photographs by Fred Cray.

Double Dominant.

Photographs by Karl Haendel. Text by Natilee Harren.

Dream is Wonderful, Yet Unclear.

Photographs by Maria Kapajeva.

August Song.

Photographs by Martin Bogren. Designed by Bureau Kayser. Curated by Caroline Benichou.

Dream Moons.

Photographs by Yurian Quintanas Nobel.

Autoportrait.

Photographs by Samuel Fosso.
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A Review by Odette England
Stephen Gill: Please Notify The Sun. Odette England is an artist and writer; an Assistant Professor and Artist-in-Residence at Amherst College in Massachusetts; and a resident artist of the Elizabeth Foundation for the Arts Studio Program in New York. Her work has shown in more than 90 solo, two-person, and group exhibitions worldwide. England’s first edited volume Keeper of the Hearth was published by Schilt Publishing (2020), with a foreword by Charlotte Cotton.

Please Notify The Sun

Odette England reviews Please Notify the Sun. Nobody Books, Sweden, 2020.

"The basis of Stephen Gill’s latest photobook Please Notify the Sun marks a similar first: to catch a fish and photograph it from the inside out. And here’s the first of many catches: Gill must catch said fish. No popping to the shops to buy the catch-of-the-day, no shortcuts. A task easier said than done, especially when you start mentally working your way through the equipment, determination, patience, and hearty helping of good luck required."—Odette England  Read more

Read Odette England's entire review on our blog

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Please Notify The Sun

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Stable Vices

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