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Tuesday, October 27, 2020
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Photographs by John Cohen.
Steidl, 2020. 180 pp., 450 illustrations, 9x9".

In the summer of 1955 a relatively naive and uninformed John Cohen crossed the straits of Gibraltar. He arrived in Tangier with a handwritten note in cursive Arabic; the man who had composed it in New York had told him to “keep this paper far from your passport.” ... Buy NOW or Read more

TODAY'S BOOKSHELF - A Daily Selection of Books In-Stock and Available to Purchase at photo-eye

Stryker.

Edited by Lewis Bush.

An Attic Full of Trains.

Photographs by Alberto di Lenardo. Sequencing by Carlotta di Lenardo.

Mayflies.

Photographs by Dimitra Dede.

Asinara.

Photographs by Marco Delogu.

A1 - The Great North Road.

Photographs by Paul Graham.

Interviews and Conversations (1951-1998).

Text by Henri Cartier-Bresson. Foreword by Clément Chéroux and Julie Jones.

Lost Venice.

Photographs by Sarah Hadley. Text by Karen Haas and Susan Burnstine.

Golden Days.

Photographs by Max Sjödin.

LIKE.

Photographs by Ryan Debolski.

45.

Photographs by Damian Heinisch.

Double Dominant.

Photographs by Karl Haendel. Text by Natilee Harren.

The End of the Game.

Photographs by Peter Beard.

The Eyes That Fix You in a Formulated Phrase.

Photographs by Mariken Kramer.

Ai Weiwei.

Photographs by Ai Weiwei. Text by John Tancock and Stephanie H. Tung.

Entrance to Our Valley.

Photographs by Jenia Fridlyand.

Miss Cox.

Photographs by Mariken Wessels.

Ren Hang, for my Mother.

Photographs by Ren Hang.

Explosions of Sight.

Photographs by René Burri. Contribution and Edited by Marc Donnadieu and Mélanie Bétrisey. Contribution by Bernard Plossu and Clara Bouveresse and Daniel Bischof and Hans-Michael Koetzle and Julie Enckell Julliard and Werner Jeker.

The Medium is a Mess.

Photographs and text by Jason Fulford.

Holding the Camera.

Text by Alberto Vieceli and Nadine Olonetzky.

Sub Rosa.

Photographs by Sylvain Couzinet-Jacques. Text by Anneli Mira Nass. Edited by Kathrin Schonegg.

México.

Edited by Gato Negro.

Photography and Its Shadow.

Text by Hagi Kenaan.

Captains of the Dead Sea.

Photographs by Alia Malley.

Address.

Photographs by Julia Borissova.
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A Review by Shannon Taggart
Maria Lax: Some Kind Of Heavenly Fire. Shannon Taggart is a photographer based in Brooklyn, New York. Her work has been exhibited and featured internationally and has been recognized by Nikon, Magnum Photos and the Inge Morath Foundation, American Photography, and the Alexia Foundation for World Peace. Her first monograph, SÉANCE, was published by Fulgur Press in November 2019 and was named one of TIME’s best photobooks of the year.

Some Kind Of Heavenly Fire

Shannon Taggart reviews Maria Lax: Some Kind of Heavenly Fire. Setanta Publishing, London, UK, 2020.

"Lax’s twilight interiors, anonymous figures, and celestial nightscapes invoke the supernatural. In these scenes she confronts the countryside, as if petitioning the town to give up its secrets. Trained as a cinematographer, Lax credits her ‘inexperience’ and affinity for ‘old digital’ technology as the formula of her success."—Shannon Taggart  Read more

Read Shannon Taggart's entire review on our blog

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