Chronology
|
|
|
1952
|
Born, Albany, NY
|
| |
|
Awards
|
|
|
2004
|
Guggenheim Fellowship
|
| |
|
|
1999
|
Buhl Foundation
|
| |
|
|
1993
|
Japan/US Creative Artist Fellowship
|
| |
|
|
1986
|
Awards in the Visual Arts
|
| |
|
|
1984
|
National Endowment for the Arts
|
| |
|
|
1982
|
National Endowment for the Arts
|
| |
|
|
1979
|
National Endowment for the Arts
|
| |
|
| |
Top of Page |
Solo Exhibitions
|
|
|
2009
|
Phoenix Art Museum,
Phoenix, AZ
|
| |
|
|
2006
|
Legion of Honor,
San Francisco, CA
|
| |
|
|
1999
|
Huntington Library, Art Collections,
Los Angeles, CA
|
| |
|
|
1996
|
Paul Kopeikin Gallery,
Los Angeles, CA
|
| |
|
|
1996
|
Lisa Sette Gallery,
Phoenix, AZ
|
| |
|
|
1995
|
Pace Wildenstein MacGill Gallery,
New York, NY
|
| |
|
|
1995
|
Sonoran Desert Museum,
Tucson, AZ
|
| |
|
|
1994
|
National Museum of American Art, Smithsonian Institution,
Washington, DC
|
| |
|
|
1994
|
Scottsdale Center for the Arts,
Scottsdale, AZ
|
| |
|
|
1994
|
Addison Gallery of American Art,
Andover, MA
|
| |
|
|
1994
|
Kathleen Ewing Gallery,
Washington, DC
|
| |
|
|
1993
|
Center for Creative Photography,
Tucson, AZ
|
| |
|
|
1993
|
Photo Gallery International,
Tokyo, Japan
|
| |
|
|
1993
|
Pace/Macgill Gallery,
New York, NY
|
| |
|
|
1992
|
Museum of Contemporary Photography,
Chicago, IL
|
| |
|
|
1992
|
Amon Carter Museum,
Fort Worth, TX
|
| |
|
|
1992
|
Oklahoma City Art Museum,
Oklahoma City, OK
|
| |
|
| |
Top of Page |
Group Exhibitions
|
|
|
1996
|
Perpetual Mirage: The Desert West in American Photographic Books and Prints,
Whitney Museum of American Art New York.,
New York, NY
|
| |
|
|
1996
|
Black and White/Six Photographers in Mid-Career,
Etherton Gallery,
Tucson, AZ
|
| |
|
|
1996
|
Mark Klett and Linda Connor,
Photo-Eye Gallery,
Santa Fe, NM
|
| |
|
|
1995
|
Terras do Norte,
Encontros de Fotografia,
Coimbra, Portugal
|
| |
|
|
1995
|
The Experience of Place: Travel and Photography,
Saint Louis Art Museum,
Saint Louis, MO
|
| |
|
|
1995
|
Quest for the Moon and Other Stories: Three Decades of Astronauts in Space,
Houston Museum of Fine Arts,
Houston, TX
|
| |
|
|
1994
|
Edweard Muybridge et le Panorama Photographie de San Francisco,
Musee Carnavalet,
Paris, France
|
| |
|
|
1994
|
Tradition and the Unpredictable,
Houston Museum of Fine Arts,
Houston, TX
|
| |
|
|
1994
|
Annual Awards Exhibition,
Friends of Photography, Ansel Adams Center,
San Francisco, CA
|
| |
|
|
1994
|
Hidden Faces,
Paul Kopeikin Gallery,
Los Angeles, CA
|
| |
|
|
1993
|
In Close Quarters: American Landscape Photography since 1968,
Princeton University Art Museum,
Princeton, NJ
|
| |
|
|
1993
|
Industrial Effects: Twentieth Century Photographs from the Permanent Collection,
Art Institute of Chicago,
Chicago, IL
|
| |
|
|
1993
|
Jardins de Paraiso,
Encontros de Fotografia,
Coimbra, Portugal
|
| |
|
|
1993
|
Critical Landscapes,
Tokyo Metropolitan Museum of Photography,
Tokyo, Japan
|
| |
|
|
1993
|
Fraenkel Gallery,
San Francisco, CA
|
| |
|
|
1993
|
In Close Quarters: American Landscape Photography Since 1968,
The Art Museum Priceton University,
Princeton, NJ
|
| |
|
|
1993
|
Motion and Document, Sequence and Time,
Presentation House,
Vancouver, BC
|
| |
|
|
1992
|
Motion and Document, Sequence and Time,
Long Beach Museum of Art,
Long Beach, CA
|
| |
|
|
1992
|
Motion and Document, Sequence and Time,
International Center for Photography,
New York, NY
|
| |
|
|
1992
|
Between Home and Heaven,
National Museum of American Art,
Washington, DC
|
| |
|
|
1992
|
Past / Present,
Museum of Fine Arts,
Houston, TX
|
| |
|
|
1992
|
Patterns of Influence,
Center for Creative Photography,
Tucson, AZ
|
| |
|
|
1992
|
Recent Acquisitions,
New York Public Library,
New York, NY
|
| |
|
|
1992
|
The Political Landscape,
University Art Museum, University of New Mexico,
Albuquerque, NM
|
| |
|
| |
Top of Page |
Collections
|
|
Amon Carter Museum, Fort Worth, TX
|
|
Anterp Museum of Photography, Antwerp, Belgium
|
|
Art Institute of Chicago, Chicago, IL
|
|
Australian National Gallery of Art, Canberra, ACT, Australia.
|
|
Canadian Center for Architecture, Montreal, Canada.
|
|
Center for Creative Photography, Tucson, AZ
|
|
Chase Manhattan Bank, New York, NY
|
|
Chrysler Museum, Norfolk, Virginia
|
|
George Eastman House, Rochester, NY
|
|
Hallmark Card Company, Kansas City, Missouri.
|
|
High Museum of Art, Atlanta, GA
|
|
Los Angeles County Museum of Art, Los Angeles, CA
|
|
Museum of Fine Arts, Boston, MA
|
|
Museum of Fine Arts, Houston, TX
|
|
Museum of Modern Art, New York, NY
|
|
Museum of Photographic Arts, San Diego, CA
|
|
National Museum of American Art, Smithsonian Institution, Washington, DC
|
|
Philadelphia Museum of Art, Philadelphia, PA
|
|
Princeton University, Princeton, NJ
|
|
San Francisco Museum of Art, San Francisco, CA
|
|
Stedelijk Museum, Amsterdam, Holland
|
|
Tokyo Metropolitan Museum of Photography, Tokyo, Japan.
|
|
University of Massachusetts, Amherst, MA
|
|
University of Nevada, Reno, Reno, NV
|
|
Victoria and Albert Museum, London England
|
|
Whitney Museum, New York, NY
|
Top of Page |
Bibliography
|
|
The Half-Life of History: The Atomic Bomb and Wendover Air Base.
Mark Klett. Radius Books, 2011
(photo-eye Cat# DQ808)
|
| |
|
Saguaros.
Mark Klett. Radius Books, Santa, Fe, 2007
(photo-eye Cat# DP782H)
|
| |
|
View Finder. Mark Klett, Photography, and the Reinvention of Landscape.
Mark Klett/William L. Fox. Albuquerque, NM, 2000
(photo-eye Cat# NM163S)
|
| |
|
View Finder. Mark Klett, Photography, and the Reinvention of Landscape.
Mark Klett/William L. Fox. Albuquerque, NM, 2000
(photo-eye Cat# NM163H)
|
| |
|
The Altered Landscape.
Peter E. Pool. Reno, NV, 1999
(photo-eye Cat# ND004H)
|
| |
|
The Pictures of Texas Monthly. Twenty-five Years.
Anne Wilkes Tucker. New York, NY, 1998
(photo-eye Cat# TC012H)
|
| |
|
21st. The Journal of Contemporary Photography.
John Wood. ZB287H, New York, NY, 1998
(photo-eye Cat# ZB287H)
|
| |
|
Grand Canyon, a Century of Change. rephotography of the 1889-1890 Stanton Expedition.
Robert Brewster Stanton and numerous rephotographers. Tucson, AZ, 1996
(photo-eye Cat# AZ008S)
|
| |
|
Boston Globe, January 29.
Mark Klett. Boston, MA, 1995
|
| |
|
Phoenix Gazette, July 4.
Mark Klett. Phoenix, AZ, 1994
|
| |
|
Chicago Tribune, June 8.
Mark Klett. Chicago, IL, 1994
|
| |
|
Washington Post, May 7.
Mark Klett. Washington, DC, 1994
|
| |
|
Washington Post, April 16, 17.
Mark Klett. Washington, DC, 1994
|
| |
|
Metropolitan Times (Washington), April 15.
Mark Klett. Washington, DC, 1994
|
| |
|
Aperture 136. Metamorphoses: Photography in the Electronic Age.
Mark Klett. Aperture, New York, NY, 1994
(photo-eye Cat# AP306S)
|
| |
|
Capital View. A New Panorama of Washington, D.C.
Mark Klett. Washington, DC, 1994
(photo-eye Cat# ZA742S)
|
| |
|
European Photography 53.
Andreas Müller-Pohle. European Photography, Göttingen, Germany, 1993
(photo-eye Cat# EP029S)
|
| |
|
Arid Waters. Photographs from the Water in the West Project.
Peter Goin. Reno, NV, 1992
(photo-eye Cat# ND002S)
|
| |
|
Village Voice, Literary Supplement, November.
Mark Klett. New York, NY, 1992
|
| |
|
Chicago Tribune, November 13.
Mark Klett. Chicago, IL, 1992
|
| |
|
New York Times Book Review, September 20.
Mark Klett. New York, NY, 1992
|
| |
|
Chicago Tribune, August 23.
Mark Klett. Chicago, IL, 1992
|
| |
|
New York Times, June 14.
Mark Klett. New York, NY, 1992
|
| |
|
A River Too Far. The Past and Future of the Arid West.
Joseph Finkhouse and Mark Crawford. Reno, NV, 1991
(photo-eye Cat# ND003S)
|
| |
|
Arizona Photographers. The Snell & Wilmer Collection.
Terence Pitts. Center for Creative Photography, Tucson, AZ, 1990
(photo-eye Cat# CC052S)
|
| |
|
Creative Camera: 1990 Issue # 5. August/September 1990.
Peter Turner. Creative Camera, 1990
(photo-eye Cat# CV031S)
|
| |
|
One City/Two Visions. San Francisco Panoramas, 1878 and 1990.
Mark Klett and Eadweard Muybridge. San Francisco, CA, 1990
(photo-eye Cat# BH003H)
|
| |
|
Central Arizona Project.
Mark Klett. Center for Creative Photography, Tucson, AZ, 1986
(photo-eye Cat# CC039S)
|
| |
|
Discovery and Recognition.
Mark Klett. Friends of Photography, Carmel, CA, 1981
(photo-eye Cat# FP013S)
|
| |
| Top of Page |
Education
|
|
|
1970 - 1974
|
St. Lawrence University, Canton, New York, BS Geology
|
| |
|
|
1974 - 1977
|
State University of New York at Buffalo, MFA Photography
|
| |
Studied with Nathan Lyons and Michael Bishop
|
|
back