Chronology
|
|
|
1950
|
Born, Albany, Georgia
|
| |
|
|
1965
|
My Dad, an amateur photographer, taught me darkroom fundamentals.
|
| |
|
|
1979
|
Began photo documentary project on the work of Bread & Roses, a non-profit organization that provides free, live entertainment in institutions.
|
| |
|
|
1982
|
Began "Men and Masculinity: an Exploration of Manhood", an introspective photo documentary project.
|
| |
|
|
1988
|
Studied with photographer Michelle Vignes whose support, encouragement, and critical eye continue to sustain me.
|
| |
|
|
1992
|
Began working as a volunteer docent at the Friends of Photography Museum in San Francisco.
|
| |
|
|
1993
|
Began photographing "Treehouses, Hideouts and Forts: the Special Places of Childhood".
|
| |
|
|
1995
|
Began photographing "Liberty at Large: Replicas of Statues of Liberty around the World."
|
| |
|
|
2002
|
Exhibited and lectured at Encuentros Abiertos de Fotografia, an international photography festival in Buenos Aires.
|
| |
|
|
2004
|
Exhibited and lectured a second time at the biannual Encuentros Abiertos de Fotografia.
|
| |
|
| |
Top of Page |
Awards
|
|
|
2004
|
Marin Arts Council Individual Artist Grant,
Marin County, California
|
| |
|
|
2001
|
Vision 2001 -- Assignment Earth,
Santa Fe Center for Visual Arts
|
| |
|
| |
Top of Page |
Solo Exhibitions
|
|
|
2007
|
Little Cumberland Island,
Aldo de Sousa - Galeria de Arte (Buenos Aires Photo),
Buenos Aires, Argentina
|
| |
|
|
2007
|
Bread and Roses,
Compass Point Gallery,
San Francisco, California
|
| |
|
|
2006
|
Little Cumberland Island,
El Borde Arte Contemporaneo (XIV Encuentros Abiertos de Fotografia),
Buenes Aires, Argentina
|
| |
|
|
2006
|
Hombres y la Masculinidad,
Foto Galeria F.C.E. (XIV Encuentros Abiertos de Fotografia),
Cordoba, Argentina
|
| |
|
|
2004
|
Encounters with Manhood,
XIII Encuentros Abiertos de Fotografia (Pura Gallery),
Buenos Aires, Argentina
|
| |
|
|
2004
|
Bread & Roses,
Mill Valley City Hall,
Mill Valley, California
|
| |
|
|
2002
|
Solitude,
XII Encuentros Abiertos de Fotografia (Centro Cultural Recoleta),
Buesno Aires, Argentina
|
| |
|
| |
Top of Page |
Group Exhibitions
|
|
|
2005
|
Marin Arts Council Individual Artist Grantees’ Exhibit,
Marin Community Foundation,
Novato, California
|
| |
|
|
2004
|
Watermark Fine Art Photographs and Books,
Houston, Texas
|
| |
|
|
2004
|
Verde, que te quiero verde (representations of the Argentine landscape),
Centro Cultural Recoleta,
Buenos Aires, Argentina
|
| |
|
|
2004
|
Cultural Artifacts,
Colorado Photographic Arts Center,
Denver, Colorado
|
| |
|
|
2003
|
Center Awards Juried Exhibition,
Center for Photographic Art,
Carmel, California
|
| |
|
|
2000
|
Casa da Fotografia Fuji,
Sao Paulo, Brazil
|
| |
|
|
2000
|
Bread & Roses: Twenty-Five Years,
Falkirk Cultural Center,
San Rafael, California
|
| |
|
|
1999
|
UC Berkeley Extension Galleria,
San Francisco, California
|
| |
|
|
1997
|
A Visual Alliance,
Alliance Francaise Gallery,
San Francisco, California
|
| |
|
| |
Top of Page |
Collections
|
|
Houston Museum of Fine Art, Houston, Texas
|
Top of Page |
Bibliography
|
|
Tradition and the Unpredictable: The Allan Chasanoff Photographic Collection.
Compiled and researched by Maggie Olvey & Suzanne Williamson. Houston Museum of Fine Arts, Houston, Texas, 1994
|
| |
| Top of Page |
Education
|
|
|
1988 - 1994
|
University of California (Berkeley) Extension, various photography classes
|
| |
|
Favorite Photography Books
|
|
Exiles, Josef Koudelka
|
| |
|
|
|
From Uncertain to Blue,
Keith Carter,
(photo-eye Cat# TM005H)
|
| |
|
|
|
Immediate Family,
Sally Mann,
(photo-eye Cat# AP270H)
|
| |
|
|
|
Henri Cartier-Bresson: The Early Work, Henri Cartier-Bresson
|
| |
|
|
|
Michael Kenna: A Twenty Year Retrospective, Michael Kenna
|
| |
Favorite Technical Photography Books
|
|
Gradient Light: The Art and Craft of Using Variable Contrast Paper,
Eddie Ephraums,
(photo-eye Cat# SN013S)
|
| |
|
|
|
The Photographer's Master Printing Course,
Tim Rudman,
(photo-eye Cat# FO120S)
|
| |
|
|
back